Möbius House’ by UN Studio, Het Gooi, Netherlands, 1993–1998
The organizational and formal structure of the private house is based on a double-locked torus, the Mobius loop.
In 1993, a young couple commissioned the Dutch architect Ben van Berkel to design “a house that would be acknowledged as a reference for the renovation of the architectural language”. It took the architect six years to fulfill his clients’ wishes, creating a house based on the studies of a 19th-century German mathematician.
Curiously, the spatial concept of the new Mercedes-Benz Museum in Stuttgart – a radiant work by Ben van Berkel – demonstrates how the architect has drawn on and experimented with his memory of the Möbius House.
A new architectonic language
In addition to their wish for a new architectural language, the clients looked for an intense relationship with the landscape, as their two distinctive professions allowed them to work from home and therefore to spend more time with their children. The chosen site was amongst meadows and tall beech trees in Het Gooi, a residential area near Amsterdam.
Diagram for the Mobius House. This transformation of the Mobius strip into a set of volumes was the result of the initial transformation of the Mobius strip and prefigured the later, completed house of 1993. This cross section divides the house into four loosely defined quadrants. — UNStudio
Diagram of 24 hours of living
With its low and elongated outlines, the house provides a link between the different features of its surroundings. By stretching the building’s form in an extreme way and through an extensive use of glass walls, the house is able to incorporate aspects of the landscape. From inside the house, it is as if the inhabitant is taking a walk in the countryside.
The perception of movement is reinforced by the changing positions of the two main materials used for the house, glass, and concrete, which overlap each other and switch places. As the loop turns inside out, the exterior concrete shell becomes interior furniture – such as tables and stairs – and the glass facades turn into inside partition walls.
The contortions and twists in the house go beyond the mathematical diagram. They refer to a movement that has moulded a new way of life as a consequence of using electronic devices at work. Ben van Berkel has managed to give an additional meaning to the diagram of the Möbius band, where its new symbolic value – characterised by the blurred limits between working and living – corresponds to the clients’ way of life.
Although the museum is on a much bigger scale than Möbius House, its spatial effect reminds one of the house. For the house, the Möbius strip suggested a plan that interlaced the different movements and activities of the family. For the museum, the trefoil offers a movement between forms of continuity and cross references, between open and closed spaces, which interweaves the different exhibitions organised by the museum. The visitor finds himself immersed in a continuous movement of shifting orientations and crossed viewpoints generated by the different notions of time that the museum recreates.